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Rafaelsalas.com lookup results from whois.dreamhost.com server:
- Domain created: 2006-03-25T23:56:46Z
- Domain updated: 2021-02-15T13:54:06Z
- Domain expires: 2022-03-25T22:56:46Z 0 Years, 345 Days left
- Website age: 15 Years, 19 Days
- Registrar Domain ID: 389229320_DOMAIN_COM-VRSN
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Network
- inetnum : 208.113.128.0 - 208.113.255.255
- name : DREAMHOST-BLK6
- handle : NET-208-113-128-0-1
- status : Direct Allocation
- created : 2001-04-17
- changed : 2017-01-28
- desc : Address location was created regardless of geographic location.
Owner
- organization : New Dream Network, LLC
- handle : NDN
- address : Array,Brea,CA,92821,US
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Host Informations
- Host name: apache2-heavy.dawson.dreamhost.com
- IP address: 208.113.186.203
- Location: Brea United States
- Latitude: 33.9339
- Longitude: -117.8854
- Metro Code: 803
- Timezone: America/Los_Angeles
- Postal: 92821
Email address with rafaelsalas.com
DNS Records / DNS Lookup
Type | TTL | Extra |
---|---|---|
A | 1800 | IP : 208.113.186.203 |

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Home Page — Rafael Francisco Salas
Www.rafaelsalas.com Rafael Francisco Salas. Toggle Navigation. Toggle Navigation
Portfolio — Rafael Francisco Salas
Www.rafaelsalas.com 2020 2019 2018 2017 2016 2015 2014 2013 2012 2011 2010 Archive (1999-2009)
CV — Rafael Francisco Salas
Www.rafaelsalas.com 2019. A Tale of Two Americas: A Review of Rafael Francisco Salas at Milwaukee’s Portrait Society Gallery, New City Art, 07.23.19. American Dream Just out of Reach in ‘For God and Country’, The Shepherd Express, 07.02.19 Art in the Age of Trump: Wisconsin Artists Respond to Political Tension, The Milwaukee Journal Sentinel, 02.01.19 2018
Writing — Rafael Francisco Salas
Www.rafaelsalas.com 2020 A Milwaukee Artist Finds Power in the Quotidian: A Review of Ariana Vaeth at Lynden Sculpture Garden, Newcity Art, September 18, 2020 The Chipstone Foundation Offers a Quiet Remove for Examining American Material Culture, Newcity Art, June 26, 2020 Panache but not enough Potency: A Review of A Cat May Look On A Queen… Read More »Writing
News — Rafael Francisco Salas
Www.rafaelsalas.com 2019 A Tale of Two Americas: A Review of Rafael Francisco Salas at Milwaukee’s Portrait Society Gallery, New City Art, July 23, 2019. American Dream Just out of Reach in ‘For God and Country’, The Shepherd Express, July 2, 2019. Art in the Age of Trump: Wisconsin Artists Respond to Political Tension, The Milwaukee Journal… Read More »News
Portfolio - 2020 - Painting — Rafael Francisco Salas
Www.rafaelsalas.com Untitled Interior (Figure with Horses) 2020, Oil on canvas, 24 x 36 inches. Untitled Allegory
A Tale of Two Americas: A Review of Rafael Francisco Salas ...
Www.rafaelsalas.com Jul 23, 2019 · Visual Art Culture of Chicago and Beyond A Tale of Two Americas: A Review of Rafael Francisco Salas at Milwaukee’s Portrait Society Gallery JULY 23, 2019 AT 2:00 PM BY STEPH KILEN
Art in the age of Trump: Wisconsin artists respond to ...
Www.rafaelsalas.com Feb 01, 2019 · journal sentinel Art in the age of Trump: Wisconsin artists respond to political tension Mary Louise Schumacher , Milwaukee Journal Sentinel February 1, 2019 Artist David Najib Kasir envisioned a series of paintings related to the war in Syria, a place where
Portfolio - 2020 - Works on Paper — Rafael Francisco Salas
Www.rafaelsalas.com 2020, Acrylic and ink on paper, 16 x 20 inches. Structure. 2020, Acrylic and ink on paper, 16 x 20 inches
A favorite r turns to stage - Rafael Francisco Salas
Www.rafaelsalas.com Jan 01, 2017 · Sunday, January 1, 2017 Milwaukee Journal Sentinel ,_, ..... , :,. .. .::. ... - -l. -.. .. ... .... -. '" . '" .... .... .. ... . . Books: Exploring how we ta1k. 6E
Portfolio - 2001 — Rafael Francisco Salas
Www.rafaelsalas.com 2001, charcoal and pastel on paper, 33 x 23 inches. Royal Portrait #1. 2001, oil on canvas, 29 x 22 inches
Portfolio - 2020 — Rafael Francisco Salas
Www.rafaelsalas.com Portfolio - 2020 — Rafael Francisco Salas ... 2020
Portfolio - Archive — Rafael Francisco Salas
Www.rafaelsalas.com 2009 2008 2007 2006 2005 2004 2003 2002 2001 2000 1999
Visual Art Culture of Chicago and Beyond Time Versus ...
Www.rafaelsalas.com Feb 10, 2020 · impact than the objects themselves. The color and light in the photos give them an atmospheric romanticism and a greater visual impact. The artist also includes a documentary where he eloquently presents his proposal.
Portfolio - 2003 — Rafael Francisco Salas
Www.rafaelsalas.com 2003, oil on canvas, 44 x 65 inches, 2 panels. Empty Room. 2003, graphite on paper, 23 ½ x 20 inches
VISUAL ART All About Identity - rafaelsalas.com
Www.rafaelsalas.com Apr 10, 2015 · VISUAL ART All About Identity Unusual joint exhibition at two Milwaukee galleries offers the nostalgic work of Rafael Francisco Salas. By Richard Davis - Apr 10th, 2015 04:50 pm
Portfolio - 2010 — Rafael Francisco Salas
Www.rafaelsalas.com 2010, charcoal and pastel on paper, 22 x 30 inches. Untitled Landscape (Red's Bar) 2010, charcoal and pastel on paper, 22 x 30 inches
Portfolio - 2019 — Rafael Francisco Salas
Www.rafaelsalas.com 2019, mixed media on paper, 9 x 15 inches. Night Singer #1. 2019, Oil on canvas, 18 x 24 inches
Portfolio - 2009 — Rafael Francisco Salas
Www.rafaelsalas.com Portfolio - 2009 — Rafael Francisco Salas ... 2009
Tom Berenz’ broken memories at Thelma
Www.rafaelsalas.com Mar 11, 2016 · Memory becomes fragmentary in time. As the past moves into the distance, memories become less distinct, reduced at times to images, colors or scents that evoke mnemonic awakenings.
Portfolio - 2012 — Rafael Francisco Salas
Www.rafaelsalas.com 2012, mixed media on paper, 36 x 48 inches. The Ballad of John Henry. 2012, mixed media on paper, 36 x 60 inches
Do Ho Suh stitches the fabric of home and memory
Www.rafaelsalas.com Feb 27, 2017 · Do Ho Suh stitches the fabric of home and memory Rafael Francisco Salas, Special to the Journal Sentinel February 27, 2017 MADISON - Do Ho Suh reflects on what a home is and what time and distance transform a
Portfolio - 2017 — Rafael Francisco Salas
Www.rafaelsalas.com 2017, Collage, acrylic, charcoal, graphite, paper, canvas, pillow stuffing , 36x60 inches and variable dimensions
Portfolio - 2006 — Rafael Francisco Salas
Www.rafaelsalas.com 2006, charcoal and pastel on paper, 38 x 50 inches. Sick (in the backyard) version 3. 2007, charcoal and pastel on paper, 38 x 50 inches
Substituting Emptiness: The Paintings of Rafael Francisco ...
Www.rafaelsalas.com Literature Substituting Emptiness: The Paintings of Rafael Francisco Salas Rafael Salas’s artistic project is threefold: portraits, still lifes, and landscapes. With all of these forms, Salas gives voice to the void that haunts the human heart. It is a story that begins with a tragedy, passes through nihilism, and ends with, not hopefulness, but not-… Read More »Substituting Emptiness ...
Portfolio - 2011 — Rafael Francisco Salas
Www.rafaelsalas.com Mural project for Crossroads, curated by the Haggerty Museum of Art, 2011, charcoal and acrylic on paper, 6 panels, 6 x 18 feet
Portfolio - 2013 — Rafael Francisco Salas
Www.rafaelsalas.com The Farmer’s Trees are full of Fruit, The Barns are full of Hay
Portfolio - 2008 — Rafael Francisco Salas
Www.rafaelsalas.com 2008, charcoal and oil on paper, 21 x 22 ¾ inches. Study for Explorer. 2008, oil on canvas, 20 x 20 inches
Portfolio - 2016 — Rafael Francisco Salas
Www.rafaelsalas.com 2015-16, oil on canvas and mixed media, dimensions variable. Blue Truck (minor key) 2016, oil on canvas, 36 x 60 inches
Stonehouse, Kao combine quirks in playful ‘Hair Club’
Www.rafaelsalas.com Jan 23, 2017 · Stonehouse, Kao combine quirks in playful ‘Hair Club’ Rafael Francisco Salas, Special to the Journal Sentinel January 23, 2017 For “Hair Club,” on view at the Tory Folliard Gallery, Fred
Visual Art Culture of Chicago and Beyond Harnessing the ...
Www.rafaelsalas.com Dec 18, 2019 · Visual Art Culture of Chicago and Beyond Harnessing the Mind: A Review of Nirmal Raja at The Alice Wilds DECEMBER 18, 2019 AT 9:00 AM BY RAFAEL FRANCISCO SALAS
August 22, 2013 By Mary Louise Schumacher of the Journal ...
Www.rafaelsalas.com Aug 22, 2013 · Rafael Francisco Salas’ “The Woman Who Drank the Ocean,” shown at the gallery in 2009. But what’s consistent is a level of quality and seriousness.
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